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Maria Sochaniewicz

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Three or four years ago, my abstract work focused on stains. I then turned to a series of work the major
motif of which was strips.
Most recently, my paintings have been organized around drips. What this work has in common is a concern
with painterliness - the use of paint, gesture and color - that takes itself as the subject matter.
There is no need to look for any external reference in this work in order to understand it.

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